1980s Best Movies

Molly McGrath (Goldie Hawn) is following her dreams when she quits her cushy girls track coaching position at Prescott High to become the boys football coach at inner-city Central High. Even though she’s faced with both racial and gender prejudices, she whips the team into shape, so they can compete against Prescott High in the final. All the while, Molly is also dealing with her ex-husband, Frank Needham (James Keach), who is trying to get custody of their two young daughters.

In “Revenge of the Ninja” (1983), Sho Kosugi stars as Cho Osaki, a skilled ninja who relocates to America with his son Kane, played by Kane Kosugi, after their family is massacred by ninjas in Japan. Persuaded by his friend Braden (Arthur Roberts) to open a pottery gallery in California, Cho soon discovers that Braden is using the gallery to smuggle heroin. When Braden’s betrayal leads to further violence and the murder of Cho’s mother (Grace Oshita), Cho must embrace his ninja heritage to confront Braden in an epic showdown, ultimately defeating him and safeguarding his son.

When foreman Frank (James Karen) shows new employee Freddy (Thom Mathews) a secret military experiment in a supply warehouse, the two klutzes accidentally release a gas that reanimates corpses into flesh-eating zombies. As the epidemic spreads throughout Louisville, Ky., and the creatures satisfy their hunger in gory and outlandish ways, Frank and Freddy fight to survive with the help of their boss (Clu Gulager) and a mysterious mortician (Don Calfa).

Tormented by guilt following the death of his older brother, Buck, in a sailing accident, alienated teenager Conrad Jarrett (Timothy Hutton) attempts suicide. Returning home following an extended stay in a psychiatric hospital, Conrad tries to deal with his mental anguish and also reconnect with his mother, Beth (Mary Tyler Moore), who has grown cold and angry, and his emotionally wounded father, Calvin (Donald Sutherland), with the help of his psychiatrist, Dr. Berger (Judd Hirsch).

Los Angeles teenager Ritchie Valens (Lou Diamond Phillips) becomes an overnight rock ‘n’ roll success in 1958, thanks to a love ballad called “Donna” that he wrote for his girlfriend (Danielle von Zerneck) whose parents didn’t want her to date a Latino boy. But as his star rises, Valens has conflicts with his jealous brother, Bob (Esai Morales), and becomes haunted by a recurring nightmare of a plane crash just as he begins his first national tour alongside Buddy Holly (Marshall Crenshaw).

Russell Walker (Blair Underwood) has started a new hip-hop and rap label called Krush Groove, which features a stellar list of acts that includes Kurtis Blow and Run-D.M.C. However, Walker doesn’t have sufficient money to keep up the label, especially after Run-D.M.C. scores a big single. As he struggles to fund the label, more and more rap groups, like the Beastie Boys and LL Cool J, emerge in the New York City hip-hop scene. The film is based on the beginning of Def Jam Records.

Harry Crumb (John Candy) descends from a long line of sleuths, but the well-intentioned private detective tends to turn the simplest case into a disaster. That’s why Harry’s maniacal boss, Eliot Draisen (Jeffrey Jones), selects him to investigate the kidnapping of a rich heiress; Draisen himself is behind the crime and he’s hoping that Harry will perform as dismally as he usually does. But, with more than a few tricks up his sleeve, Harry may end up cracking the conspiracy despite himself.

Rupert Pupkin (Robert De Niro) is a failure in life but a celebrity in his own mind, hosting an imaginary talk show in his mother’s basement. When he meets actual talk show host Jerry Langford (Jerry Lewis), he’s convinced it will provide his big break, but Langford isn’t interested in the would-be comedian. Undaunted, Pupkin effectively stalks Langford — and when that doesn’t work, he kidnaps him, offering his release in exchange for a guest spot on Langford’s show.