HandMade Films

Withnail and I (1987)

Withnail and I (1987) is a British dark comedy following two struggling, eccentric actors—Withnail (Richard E. Grant), a flamboyant alcoholic, and Marwood, or “I” (Paul McGann), his neurotic friend—who escape their grim London lives for a chaotic, booze-soaked retreat in the English countryside. Their plans for relaxation quickly devolve into disaster as they face hostile locals, relentless rain, and Withnail’s lecherous Uncle Monty (Richard Griffiths). Filled with biting wit and bleak humor, the film explores themes of friendship, failure, and the search for meaning amid disillusionment.

The Long Good Friday (1980)

In the late 1970s, Cockney crime boss Harold Shand (Bob Hoskins), a gangster trying to become a legitimate property mogul, has big plans to get the American Mafia to bankroll his transformation of a derelict area of London into the possible venue for a future Olympic Games. However, a series of bombings targets his empire on the very weekend the Americans are in town. Shand is convinced there is a traitor in his organization, and sets out to eliminate the rat in typically ruthless fashion.

Lock, Stock and Two Smoking Barrels (1998)

Eddy (Nick Moran) convinces three friends to pool funds for a high-stakes poker game against local crime boss Hatchet Harry (P.H. Moriarty). Harry cheats and Eddy loses, giving him a week to pay back 500,000 pounds or hand over his father’s pub. Desperate, Eddy and his friends wait for their neighbors to rob some drug dealers, then rob the robbers in turn. After both thefts, the number of interested criminal parties increases, with the four friends in dangerously over their heads.

Nuns on the Run (1990)

Set up by their boss to be knocked off following a final heist, soon-to-retire crooks Brian (Eric Idle) and Charles (Robbie Coltrane) get wind of their impending demise and run off with the spoils of their crime. Fleeing their boss, the drug dealers they robbed, the police, and Brian’s angry girlfriend, the two take refuge in a training convent for nuns. In disguise, they convince Sister Superior (Janet Suzman) that they’re nuns, a charade they are forced to maintain as their enemies arrive.