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Payback (1999)

In this gritty revenge thriller, ex-criminal Porter (Mel Gibson) is left for dead after being double-crossed by his partner and wife, but he survives with one goal: to get back the $70,000 that was stolen from him. As Porter methodically takes down anyone standing in his way, he finds himself battling both the criminal underworld and corrupt cops in a relentless pursuit of payback. With its dark humor, brutal action, and a chilling antihero, Payback delivers a hard-hitting tale of vengeance and redemption.

A Fish Called Wanda (1988)

In this uproarious heist comedy, seductive con artist Wanda (Jamie Lee Curtis) and her bumbling lover Otto (Kevin Kline) team up with a hapless barrister (John Cleese) to steal a fortune in jewels. But as double-crosses pile up and loyalties shift, the eccentric crew finds themselves in a hilarious tangle of romance, greed, and deception. With razor-sharp wit and memorable performances, A Fish Called Wanda delivers a riotous blend of crime and comedy that will leave audiences laughing out loud.

SLC Punk! (1998)

Set against the backdrop of Salt Lake City’s conservative culture, rebellious punk Stevo (Matthew Lillard) and his best friend Bob (Michael A. Goorjian) live life on the edge, rejecting authority and embracing chaos. But as Stevo faces the inevitable crossroads between reckless youth and adulthood, he begins to question his ideals, friendships, and the true meaning of rebellion. With its blend of humor, angst, and heart, SLC Punk! captures the wild spirit of the punk movement while delivering an unexpectedly emotional punch.

Face/Off (1997)

Obsessed with bringing terrorist Castor Troy (Nicolas Cage) to justice, FBI agent Sean Archer (John Travolta) tracks down Troy, who has boarded a plane in Los Angeles. After the plane crashes and Troy is severely injured, possibly dead, Archer undergoes surgery to remove his face and replace it with Troy’s. As Archer tries to use his disguise to elicit information about a bomb from Troy’s brother, Troy awakes from a coma and forces the doctor who performed the surgery to give him Archer’s face.

Con Air (1997)

Just-paroled army ranger Cameron Poe (Nicolas Cage) is headed back to his wife (Monica Potter), but must fly home aboard a prison transport flight dubbed “Jailbird” with some of the worst criminals living. Along with Diamond Dog (Ving Rhames) and Baby-O (Mykelti Williamson), genius serial killer Cyrus “The Virus” Grissom (John Malkovich) unleashes a violent escape plot in mid-flight. Secretly working with U.S. Marshall Vince Larkin (John Cusack), Poe tries to foil Grissom’s plan.

Less Than Zero (1987)

Clay (Andrew McCarthy) comes home to Los Angeles after his first semester of college and encounters some disturbing developments. His former lover, burgeoning model Blair (Jami Gertz), has begun to abuse cocaine. But her addiction pales in comparison to the drug dependency of her new boyfriend, Julian (Robert Downey Jr.), who’s also Clay’s childhood buddy. Clay tries to help them get sober, but the process is complicated by Rip (James Spader), a callous dealer Julian is indebted to.

Wildcats (1986)

Molly McGrath (Goldie Hawn) is following her dreams when she quits her cushy girls track coaching position at Prescott High to become the boys football coach at inner-city Central High. Even though she’s faced with both racial and gender prejudices, she whips the team into shape, so they can compete against Prescott High in the final. All the while, Molly is also dealing with her ex-husband, Frank Needham (James Keach), who is trying to get custody of their two young daughters.

Revenge of the Ninja (1983)

After his family is brutally murdered by rival ninjas, Cho Osaki (Sho Kosugi) relocates to America, hoping to leave his violent past behind. But when betrayal strikes again, Cho is forced to unleash his deadly skills to protect his son and exact vengeance on his enemies. Packed with electrifying martial arts sequences and intense action, Revenge of the Ninja delivers a thrilling journey of honor, revenge, and ninja mastery that keeps audiences on the edge of their seats.