Drama

The Long Kiss Goodnight (1996)

Schoolteacher and single mother Samantha Caine (Geena Davis) lives an average suburban life — until she begins having strange memories of unexplained violence and discovers that she has physical skills that she never imagined. Hiring private detective Mitch Hennessey (Samuel L. Jackson) to probe into her past, Samantha discovers that she’s a well-trained government assassin who went missing after suffering a bout of amnesia and that her former handlers want her back in their employ.

Ordinary People (1980)

Tormented by guilt following the death of his older brother, Buck, in a sailing accident, alienated teenager Conrad Jarrett (Timothy Hutton) attempts suicide. Returning home following an extended stay in a psychiatric hospital, Conrad tries to deal with his mental anguish and also reconnect with his mother, Beth (Mary Tyler Moore), who has grown cold and angry, and his emotionally wounded father, Calvin (Donald Sutherland), with the help of his psychiatrist, Dr. Berger (Judd Hirsch).

La Bamba (1987)

Los Angeles teenager Ritchie Valens (Lou Diamond Phillips) becomes an overnight rock ‘n’ roll success in 1958, thanks to a love ballad called “Donna” that he wrote for his girlfriend (Danielle von Zerneck) whose parents didn’t want her to date a Latino boy. But as his star rises, Valens has conflicts with his jealous brother, Bob (Esai Morales), and becomes haunted by a recurring nightmare of a plane crash just as he begins his first national tour alongside Buddy Holly (Marshall Crenshaw).

Krush Groove (1985)

Russell Walker (Blair Underwood) has started a new hip-hop and rap label called Krush Groove, which features a stellar list of acts that includes Kurtis Blow and Run-D.M.C. However, Walker doesn’t have sufficient money to keep up the label, especially after Run-D.M.C. scores a big single. As he struggles to fund the label, more and more rap groups, like the Beastie Boys and LL Cool J, emerge in the New York City hip-hop scene. The film is based on the beginning of Def Jam Records.

The King of Comedy (1983)

Rupert Pupkin (Robert De Niro) is a failure in life but a celebrity in his own mind, hosting an imaginary talk show in his mother’s basement. When he meets actual talk show host Jerry Langford (Jerry Lewis), he’s convinced it will provide his big break, but Langford isn’t interested in the would-be comedian. Undaunted, Pupkin effectively stalks Langford — and when that doesn’t work, he kidnaps him, offering his release in exchange for a guest spot on Langford’s show.

Do The Right Thing (1989)

Salvatore “Sal” Fragione (Danny Aiello) is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin’ Out (Giancarlo Esposito), becomes upset when he sees that the pizzeria’s Wall of Fame exhibits only Italian actors. Buggin’ Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin’ Out and to other people in the neighborhood, and tensions rise.

Perfect (1985)

When investigative journalist Adam Lawrence (John Travolta) is assigned to write an exposé on Los Angeles’ fitness scene, he meets aerobics instructor Jessie Wilson (Jamie Lee Curtis), whose charisma and intensity complicate his story. As Adam navigates the glitzy world of health clubs, romance sparks between him and Jessie, but their personal and professional lives soon clash in a struggle for truth and trust. Perfect offers a blend of drama, romance, and 1980s fitness culture, wrapped in a story about ambition, love, and journalistic integrity.

The Legend of Billie Jean (1985)

Restless teenager Billie Jean Davy (Helen Slater) and her brother, Binx (Christian Slater), dream of leaving oppressive Corpus Christi, Texas, for Vermont. When Binx’s scooter is trashed by bully Hubie Pyatt (Barry Tubb), Billie Jean goes to ask Hubie’s father (Richard Bradford) for $608 for repairs, only to have Mr. Pyatt try to rape her. As she flees, Binx finds Mr. Pyatt’s gun and unintentionally shoots him. Billie Jean and her brother go on the run, becoming folk heroes in the process.